Was it rock and roll? Was it country and western? By 1997, Rhett Miller and his Old 97’s were, well, Too Far to Care.
As Miller recalls in his liner notes to Omnivore Recordings’ new 2-CD expanded edition of the band’s seminal third album (OVCD-45, 2012), his “little band from Texashad only recently gotten folks to stop referring to their particular brand of music as ‘rockabilly.’” The Old 97’s were subject to a major label bidding war in which Elektra Records proved victorious, giving the quartet of musicians a chance for the “big time,” whatever their genre.What the Old 97’s unquestionably were was antidote to the prevailing pop music of the day. The Top 5 singles of the year ranged from hip-hop to novelty pop and everything in between, courtesy Sean Combs, Elton John, Aqua, No Doubt and Hanson – everything except the Old 97’s brand of amped-up country rock. The original 13 tracks on Too Far to Care, all jointly credited to the band, touched on familiar country tropes: loneliness, troubled relationships, troubled women, imagery of bars, travelling and reckless youth. But the sound was akin to an outlaw on speed: fast and furious, taking no prisoners. This wasn’t country-rock in the sense of the late-period Byrds, or cosmic country like The Flying Burrito Brothers, or whatever pop-rock-country style in which you’d like to place Eagles. Miller bristled at the “rockabilly” label, and it certainly wasn’t pop-country like Shania Twain or today’s Taylor Swift, either.But it’s so decreed in the music business that everything must have a name, The Old 97’s were considered to be at the vanguard of “alt-country.” Fifteen years on, their music sounds squarely in the rock tradition, with a C&W influence adding flavor. The ferocious rock and roll attack of Rhett Miller (guitar), Ken Bethea (guitar), Murry Hammond (bass) and Philip Peeples (drums) wasn’t beholden to conventions of either genre.
The album, produced by Wally Gagel, sounds like a band record and a true collaboration in every way. The group even chose to revisit a couple of older songs with an eye to improving them. “Four Leaf Clover” was re-recorded from Hitchhike To Rhome, this time as a duet with Exene Cervenka of the band X.
The raucous “Big Brown Eyes” also was remade, the original version having appeared on Wreck Your Life.Emboldened by their youth, the group howls through the frenetic rave-up of the opening salvo “Timebomb,” the wry story song “Barrier Reef” (“My name’s Stewart Ransom Miller/I’m a serial lady killer/She said I’m already dead/That’s exactly what she said”) and the dark-hued ode to a woman “who broke every part of me,” “Salome.” The eponymous lady is ready to “wreck another man,” her tale enhanced by Jon Rauhouse’s pedal steel. Like many of the songs on Too Far to Care, “Salome” is crafted within a familiar pop framework, complete with a catchy chorus, but it stands apart for its slower tempo and the added color provided by Rauhouse.There’s true twang on “W. Texas Teardrops,” which adds banjo to the mix as well as lead vocals by Murry Hammond.
Old 97s Too Far To Care Rar Extractor For Mac
Subtle harmonies enliven “Curtain Calls,” with one of the many instrumental riffs that burrow into your consciousness while listening. The ample instrumental breaks show off the tight, taut interplay between the four players and the occasional guests such as producer Gagel, playing piano on “Niteclub.” Though each member is accomplished, Philip Peeples might be the unsung hero of the album, his drums and percussion instantly setting the tone (and keeping the beat like a freight train, natch!) for each song. Marine steam boilers j h milton pdf free. Rhett Miller’s vocals, able to be both forceful and languid, convey a wealth of emotion. While the lyrics are technically ragged in many places, the turns of phrase are often memorable. On the Times Square-composed “Broadway,” Miller muses from “a hotel room that costs as much as my apartment” about the titular place, “enough to make a crooked man go straight.” On “Streets of Where I’m From,” he reasons, “Now I’m oldI’m well past 25!” Over a torrent of blazing guitars, he asks “Will you sober up and let me down?” in the potent “Melt Show.” Gagel’s production throughout is subtle but immediate.What bonus material will you find? Hit the jump!The original Too Far to Care fills most of the first disc of this two-CD set, and it’s joined by four bonus tracks.
“Northern Line” first appeared on a 1997 EP, but the final three tracks are all previously unissued. Interestingly, these may be the most explicitly countrified songs on the whole disc. “Beer Cans” is a delicious pop song written by Philip Edward Bennison, while Stanley Johnson’s “No Doubt About It” (“I’m crazy over you!”) is another modernized hoedown, filled with joy. The concluding track, the fiery “Holy Cross,” is also heard as a demo on the second disc here.That additional disc here is entitled They Made a Monster: The Too Far to Care Demos, and its eleven tracks encompass both songs that made the album and ones that didn’t. This 40-minute disc could stand on its own merits, consisting of both band demos and those performed, acoustic, by Rhett Miller alone. The acoustic tracks are the most revealing, with Miller’s drawling vocals even more lovelorn and typically “country” than on the finished versions.
Though less polished, there’s still great emotion in the rough performances. In their embryonic forms, the stories of “Niteclub” and “Broadway” still resonate. More than half of They Made a Monster is devoted to songs not on the original Too Far to Care, though, and so those songs will prove the most eye-opening for longtime fans. There are more melancholy story songs and character studies, like “Daybed,” about a man with “a self-destructive nature” (“He never leaves well enough alone/It’s only me on the daybed/There is no them, there is no you/And this bed’s not big enough for two”) The brisk “When I Crash” likewise concerns itself with a man on the verge (“Are you gonna catch me when I crash?”), and indeed, the Old 97’s seem concerned with those misfits on the fringes – or the times when we all feel like misfits, at the very least! “Sound of Running” is a classic “train song” with a felicitous melody and simple, effective acoustic arrangement.Tom DeSavia and Cheryl Pawelski have produced this lovingly-designed anniversary edition. Both discs are housed in a digipak, and the enclosed booklet offers brief recollections by Miller and DeSavia as well as lyrics.
Gavin Lurssen and Reuben Cohen have done a fine job remastering, and the sound quality is better than expected on the demo disc, as well. Rhett Miller, with and without the Old 97’s, continues to beat to his own drummer today with his personal brand of music-making. Too Far to Care is a reminder of when the indie band met the major label on its own terms, with bold results.You can order Too Far to Care on CD and on vinyl! Joe MarcheseJOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres.
He has contributed liner notes to reissues from a diverse array of artists, among them Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Peggy Lipton, Doris Day, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders.In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and his work still appears with frequency in the magazine. In 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green.In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as The Supremes, Melissa Manchester, Laura Nyro, Bobby Darin and Johnny Mathis, legendary producer Bob Crewe, soul legend Wilson Pickett, and many others.Joe currently resides in the suburbs of New York City.
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Extracting a 19 Year Old Code Execution from WinRARFebruary 20, 2019Research by: Nadav Grossman IntroductionIn this article, we tell the story of how we found a logical bug using the and exploited it in to gain full control over a victim’s computer. The exploit works by just extracting an archive, and puts over at risk. This vulnerability has existed for over 19 years(!) and forced WinRAR to completely drop support for the vulnerable format. BackgroundA few months ago, our team built a multi-processor fuzzing lab and started to fuzz binaries for Windows environments using the WinAFL fuzzer. After the good results we got from our, we decided to expand our fuzzing efforts and started to fuzz WinRAR too.One of the crashes produced by the fuzzer led us to an old, dated dynamic link library (dll) that was compiled back in 2006 without a protection mechanism (like ASLR, DEP, etc.) and is used by WinRAR.We turned our focus and fuzzer to this “low hanging fruit” dll, and looked for a memory corruption bug that would hopefully lead to Remote Code Execution.However, the fuzzer produced a test case with “weird” behavior. After researching this behavior, we found a logical bug: Absolute Path Traversal.
From this point on it was simple to leverage this vulnerability to a remote code execution.Perhaps it’s also worth mentioning that a substantial amount of money in various bug bounty programs is offered for these types of vulnerabilities.What is WinRAR?WinRAR is a trialware file archiver utility for Windows which can create and view archives in RAR or ZIP file formats and unpack numerous archive file formats.According to the, over 500 million users worldwide make WinRAR the world’s most popular compression tool today.This is what the GUI looks like. Figure 2: WinRAR GUI. The Fuzzing Process BackgroundThese are the steps taken to start fuzzing WinRAR:. Creation of an internal harness inside the WinRAR main function which enables us to fuzz any archive type, without stitching a specific harness for each format.
This is done by patching the WinRAR executable. Eliminate GUI elements such as message boxes and dialogs which require user interaction. This is also done by patching the WinRAR executable.There are some message boxes that pop up even in CLI mode of WinRAR.
Use a giant corpus from an interesting piece of research conducted around 2005 by the University of. Fuzz the program with WinAFL using WinRAR command line switches. These force WinRAR to parse the “broken archive” and also set default passwords (“-p” for password and “-kb” for keep broken extracted files). We found those options in a WinRAR manual/help file.After a short time of fuzzing, we found several crashes in the extraction of several archive formats such as RAR, LZH and ACE that were caused by a memory corruption vulnerability such as Out-of-Bounds Write. The exploitation of these vulnerabilities, though, is not trivial because the primitives supplied limited control over the overwritten buffer.However, a crash related to the parsing of the ACE format caught our eye. We found that WinRAR uses a dll named unacev2.dll for parsing ACE archives.
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A quick look at this dll revealed that it’s an old dated dll compiled in 2006 without a protection mechanism. In the end, it turned out that we didn’t even need to bypass them. Build a Specific HarnessWe decided to focus on this dll because it looked like it would be quick and easy to exploit.Also, as far as WinRAR is concerned, as long as the archive file has a.rar extension, it would handle it according to the file’s magic bytes, in our case – the ACE format.To improve the fuzzer performance, and to increase the coverage only on the relevant dll, we created a specific harness for unacev2.dll.To do that, we need to understand how unacev2.dll is used. Figure 7: acefile.py header parsing output.Notes:.
Consider each “” from the filename field in the image above as a single slash “”, this is just python escaping. For clarity, the same fields are marked with the same color in the hex dump and in the output from acefile.Summary of the important fields:. hdrcrc (marked in pink):Two CRC fields are present in 2 headers. If the CRC doesn’t match the data, the extractionis interrupted. This is the reason why the fuzzer didn’t find more paths (expand its coverage).To “solve” this issue we patched all the CRC.
checks in unacev2.dll. Note – The CRC is a of the regular.
filename (marked in green):It contains the relative path to the file. All the directories specified in the relative path are created during the extracting process (including the file).
The size of the filename is defined by 2 bytes (little endian) marked by a black frame in the hex dump. advert (marked in yellow)The advert field is automatically added by WinACE, during the creation of an ACE archive, if the archive is created using an unregistered version of WinACE. file content:. “ origsize ” – The content’s size.
The content itself is positioned after the header that defines the file (“hdrtype” field 1). “ hdrsize ” – The header size. Marked by a gray frame in the hex dump. At offset 70 (0x46) from the second header, we can find our file content: “Hello From Check Point!”Because the filename field contains the relative path to the file, we did some manual modification attempts to the field to see if it is vulnerable to “Path Traversal.”For example, we added the trivial path traversal gadget “.” to the filename field and more complex “Path Traversal” tricks as well, but without success.After patching all the structure checks, such as the CRC validation, we once again activated our fuzzer.
After a short time of fuzzing, we entered the main fuzzing directory and found something odd. But let’s first describe our fuzzing machine for some necessary background.
The Fuzzing MachineTo increase the fuzzer performance and to prevent an IO bottleneck, we used a RAM disk drive that uses the on the fuzzing machine.The Ram disk is mapped to drive R:, and the folder tree looks like this. Figure 12: Header parsing output from acefile.py for the file that produced by the fuzzer in the unexpected path.These are the first three things that we noticed when we looked at the hex dump and the output from acefile:. The fuzzer copied parts of the “advert” field to other fields:. The content of the compressed file is “SIO”, marked in an orange frame in the hex dump. It’s part of the advert string “.UNREGISTERED VER SION.”.
The filename field contain the string “RED VERSION.” which is part of the advert string “.UNREGISTE RED VERSION.”. The path in the filename field was used in the extraction process as an “absolute path” instead of a relative path to the destination folder (the backslash is the root of the drive). The extract file name is “RED VERSION¶”. It seems that the asterisk from the filename field was converted to an underscore and the x14 (0x14) value represented as “¶” in the extract file name.
The other content of the filename field is ignored because there is a null char which terminates the string, after the x14 (0x14) value.To find the constraints that caused it to ignore the destination folder and use the filename field as an absolute path during the extraction, we did the following attempts, based on our assumptions.Our first assumption was the first character of the filename field (the ‘’ char) triggers the vulnerability. Unfortunately, after a quick check we found out that this is not the case.
After additional checks we arrived at these conclusions:. The first char should be a ‘/’ or a ‘’. ‘.’ should be included in the filename at least once; the location doesn’t matter.Example of a filename field that triggers the bug: somefoldersomefile.exe will be extracted to C:somefoldersomefile.exe, and the asterisk is converted to an underscore.Now that it worked on our fuzzing harness, it is time to test our crafted archive (e.g. Exploit file) file on WinRAR.
Trying the exploit on WinRARAt first glance, it looked like the exploit worked as expected on WinRAR, because the sourbe directory was created in the root of drive C:. Figure 17: Pseudo-code of CleanPath.The function omits trivial Path Traversal sequences like “.” (it only omits the “.” sequence if it is found in the beginning of the path) sequence, and it omits drive sequence like: “ C:”, “ C:”, and for an unknown reason, “ C:C:” as well.Note that it doesn’t care about the first letter; the following sequence will be omitted as well: “ :”, “ :”, “ ::” (In this case underscore represents any value). Figure 18: Header output by acefile.py of the simple exploit file.We trigger the vulnerability by the crafted string of the filename field (in green).This archive will be extracted to C:somefoldersomefile.txt no matter what the path of the destination folder is. Creating a Real ExploitWe can gain code execution, by extracting a compressed executable file from the ACE archive to one of the.
Any files that reside in the Startup folders will be executed at boot time.To craft an ACE archive that extracts its compressed files to the Startup folder seems to be trivial, but it’s not.There are at least 2 Startup folders at the following paths:. C:ProgramDataMicrosoftWindowsStart MenuProgramsStartUp. C:Users AppDataRoamingMicrosoftWindowsStart MenuProgramsStartupThe first path of the Startup folder demands high privileges / high integrity level (in case the UAC is on). However, WinRAR runs by default with a medium integrity level.The second path of the Startup folder demands to know the name of the user.We can try to overcome it by creating an ACE archive with thousands of crafted compressed files, any one of which contains the path to the Startup folder but with different, and hope that it will work in our target. Figure 20: The path traversal bug in the source code of unace-nonfreeCVEs:CVE-2018-20250, CVE-2018-20251, CVE-2018-20252, CVE-2018-20253. WinRAR’s ResponseWinRAR decided to drop UNACEV2.dll from their package, and WinRAR doesn’t support ACE format from version number: “5.70 beta 1”.Quote from: “Nadav Grossman from Check Point Software Technologies informed us about a security vulnerability in UNACEV2.DLL library.Aforementioned vulnerability makes possible to create files in arbitrary folders inside or outside of destination folderwhen unpacking ACE archives.
So you tried to open a.rar file you downloaded on the Internet, or received from a colleague/friend via email. Then you get a weird error on your Mac, because the file couldn’t be opened.It’s really disappointing. I’ve been there many times, since I use my MacBook Pro to communicate with others who are probably on a PC. In fact, I also ran into the same problem when I switched from PC to Mac a few years ago.Luckily, I managed to fix it with an amazing app called, the best RAR extractor app for Mac. Plus, it’s still free.
Meanwhile, I also tested dozens of other applications on my Mac, and filtered those that are 100% free and easy to use and you can read more below. NEW UPDATEHi there, Thanks for reading this article. It’s been two years since I first published this post. Things have changed a lot when it comes to unrar apps for Mac. I was hoping Apple macOS could add this feature to its built-in Archive Utility app, unfortunately, it seems that Apple macOS team doesn’t plan to do this.
My MacBook Pro is now with the latest 10.13 High Sierra, and I have to rely on third-party apps to extract RAR files.As for the best rar extractor app for Mac, the recommendation stays the same —. It’s still free to download and use.
However, it’s worth noting that the app has been acquired by (the maker of, an awesome Mac cleaning app) and is now part of the MacPaw family. You can read more from.Also, I just found a more powerful app called — which allows Mac users to not only extract many types of archives, but you can also use it to create archives or preview content of an archive without extracting. Those additional features are not available in The Unarchiver or Archive Utility. I recommend BetterZip to those of you who often need to handle a different kind of files on a PC and Mac. Note: BetterZip isn’t freeware ($24.95 for the paid version), but a free trial is offered. You can.What about the other apps listed below? I tried to check them now and then, just to make sure they’re usable and the information is accurate.
But I find it so time-consuming because every year or so Apple releases a new version of macOS (to date, it’s High Sierra 10.13.2), those apps that fail to be updated often can’t run or malfunction. Therefore, I’d discourage you to check them out unless you are interested. That said, I’ll try my best to keep the content on this post as fresh as possible. What is an RAR File?RAR is a compressed file short for Roshal Archive; it’s a proprietary file format developed by, a genius software engineer. Simply put, a.rar file is like a big data container that holds a set of individual files and folders inside.Why use RAR?
Because it reduces the size of your files and folders while keeping all the content 100% intact. With a RAR, it’s much easier to store on removable media or transferred over the Internet.According to this comparison image provided by Compression Ratings, RAR files achieve much higher compression, especially on multimedia files. They are also easier to split or to recover once corrupted than other alternatives like ZIP or 7Zip files.How to Open an RAR Archive on Mac?Unlike other archive files, for example, a ZIP archive can be directly created or extracted by using the default function on Mac , a RAR file can only be opened using third-party softwarewhich, unfortunately, Apple hasn’t built into the Archive Utility, yet.That’s why there are plenty of third-party applications available on the Internet that claim to be able to do that. Some are dated, while some require you to pay.Thanks to those smart, yet kind developers, we have quite a lot of free options to get the job done without taking a penny out of the pocket.
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I’ve tested many and here are the 10 best free apps that still work. 10 Free RAR Extractor Apps That Work on MacNote: Some of the apps below are open source, and the authors accept donations. If you find the one you use is really awesome, kindly show your appreciation. Hundreds of hours were spent to make that product work well. The Unarchiveris my favorite. Like the name indicates, it unpacks almost any archive instantly without launching the app. The app is very powerful, even does what the built-in Archive Utility can’t — extracts RAR archives.
It also supports handling filenames in foreign character sets. B1 Free ArchieverAnother great open source app, the serves as an all-in-one program for managing file archives.
As you can see from the screenshot above, this tool allows you to create, open and extract archives. It opens.rar,.zip, and 35 other file formats. Besides Mac, there are also versions for Windows, Linux, and Android. UnRarXis a simple utility designed to expand.rar files and restore corrupted or missing archives with.par and.par2 files. It has an extraction function as well. To do this, simply open the program, drag your archive files into the interface, and UnRarX will unpack the content to the specified destination.
StuffIt Expander Macallows you to uncompress both Zip and RAR archives. I found the app very easy to use. Uplink developer cd zip. Once the program is installed, you should see an icon (as shown on the top of the above screenshot).
Next select the file, specify the destination to store your extracted files, and you’re done. MacPar deLuxeAnother great tool that can open RAR files, and do a lot beyond! Originally developed to recover missing or corrupted information by processing “par” and “par2” files, MacPAR deLuxe is able to unpack the data with its built-in unrar engine. If you are a Macintosh user who frequently downloads or uploads binary files, then most likely you’ll love this utility program. You can get it from. IZip for Macis another powerful yet effective tool built from the ground up for Mac users to compress/decompress, secure, and share files easily. It supports all kinds of archive formats including RAR, ZIP, ZIPX, TAR, and 7ZIP.
To unzip a file, just drag and drop it into the software main interface. Another window will pop up with the extracted files. RAR Extractor Freeis an app that specializes in extracting Rar, Zip, Tar, 7-zip, Gzip, Bzip2 files conveniently and safely.
Once you download and launch the app, you’ll see a pop-up window that asks you to specify an “unarchive” location. To load your files, you’ll need to move to the top left and click “Open.” 8. SimplyRAR (Mac)is another awesome archiving app for Mac OS.
As its name suggests, SimplyRAR is a simple to use program that makes archiving and unarchiving files a breeze. Open it by dropping the file into the application, choosing a compression method, and pulling the trigger. The downside of the app is that it will be difficult to get support from the developer, as it appears they’re no longer in business.
RAR Expander(Mac) is a clean GUI utility for creating and expanding RAR archives. It supports single, multi-part or password-protected archives. It also features AppleScript support and includes example scripts to help you handle multiple archives at once. Zipegis also handy yet free. What I really like is its ability to preview an entire file before extracting it. It also supports password protected and multipart files.
Note: To open the software, you’ll need to install the legacy Java SE 6 runtime (see ). What’s Your Favorite UnRAR Tool?Does the recommended one help you extract or unzip your RAR files? Or do you find a better unarchiver app for Mac than the ones listed above?
Let me know by leaving a quick comment below.
Returning to Tornillo TX, the birthplace of Too Far To Care, Old 97’s hoped to make something where fans would say, ‘This band hasn’t lost a step in twenty-some years.’The result is the eleven songs of Graveyard Whistling, from a group that has earned the respect and veneration due to one of the pioneers of the alt-country movement, while still retaining the raucous energy, deceptive cleverness, and knockabout spirit that first distinguished them from the pack.RELEASE DATE: February 24, 2017Available in RED, GREEN, BLUE, GREY. Returning to Tornillo TX, the birthplace of Too Far To Care, Old 97’s hoped to make something where fans would say, ‘This band hasn’t lost a step in twenty-some years.’The result is the eleven songs of Graveyard Whistling, from a group that has earned the respect and veneration due to one of the pioneers of the alt-country movement, while still retaining the raucous energy, deceptive cleverness, and knockabout spirit that first distinguished them from the pack.RELEASE DATE: February 24, 2017Available in RED, GREEN, BLUE, GREY. Another great album from one of the all time great bands. I don't know how they keep doing it, but the Old 97's have managed to keep the soul of their music, without becoming derivative. Usually, when you see a band you like, you get disappointed when they say they're going to play 'something off the new album', but I've never had that experience with the Old 97's.' I Don't Wanna Die in This Town' leads off the album and gets you moving with a train beat, as you'd expect from a band named after a train.
My favorite track is 'All Who Wander', with it's ethereal vibe and (literal) soul searching. 'Jesus Loves You' is a rollicking testament to the band's sense of humor and iconoclasm, along with its thematic partner, 'Good With God', which is structurally reminiscent of Rhett's 'Fireflies', but with a nice hard edge.I pre-ordered the green vinyl, which looks and sounds great. I just wish it had arrived on or before the official release date, instead of being shipped then. As part of the pre-order, I got an autographed CD booklet.
It would have been nice to have the album packaging autographed, but I understand if that was a logistical impossibility. The vinyl came with a download card, which didn't work, but the record company very quickly resolved that issue.
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